Book Review: Kill Switch, the Rise of the Modern Senate and the Crippling of American Democracy

A majority being held hostage by a political minority. That’s the story told in Kill Switch: The Rise of the Modern Senate and the Crippling of American Democracy by Adam Jentleson, a former deputy chief of staff for the (just recently) late U.S. Senator Harry Reid.

Jentleson’s clearest example for how the modern Senate hurts and holds back America is told through the story of the “background checks” bill from 2013. In the wake of the unspeakable brutal massacre of school children and adults at Sandy Hook Elementary, the bill was a bipartisan effort that had the support of Republican Senator Pat Toomey and Democratic Senator Joe Mancin. A right-wing, 2nd Amendment rights group even supported it. 55 senators were ready to vote in favor of universal background checks for gun purchases, while 45 were not. Because of the super majority needed to end a filibuster, Republicans didn’t even have to debate it, or stand on the floor of the Senate to explain to the American people why they opposed it. As the author notes,

“it had not mattered that the opponents of the bill lost the debate in the court of public opinion by a landslide…All they needed to do was hold together a minority of senators, most of whom would not face voters at the polls for several years…they were accountable almost exclusively to people who looked and thought like they did: white conservatives.”

According to Jentleson, the bill was “supported by 90 percent of Americans.” (p. 19)

Contrast that bipartisan effort with the legislative actions by Republican-controlled legislatures across the country since former president Donald J. Trump lost, but refused to concede the 2020 election. After he led an insurrection at the Capitol on January 6th, 148 members of Congress, all Republican, voted against certifying the election results in states like my own, Pennsylvania, and Arizona. Since then, dozens of voter suppression bills have either been proposed or passed. The literature on the new Jim Crow is plentiful, with authors like Carol Anderson and Ari Berman documenting the multitude of ways in which the Republican Party makes it harder to vote. These tactics include the shutting down of hundreds of precincts since the Supreme Court gutted parts of the Voting Rights Act in 2013 as well as the inconsistent and inequitable list of acceptable forms of ID (e.g. some states allow a hunting license, while prohibiting a college ID). Even ultra-conservative Supreme Court Justice Clarence Thomas sided with a Court of Appeals a few years ago that had declared a voter-ID law in North Carolina violated the 14th Amendment and aimed to eliminate minority votes with “surgical precision”. Mail-in ballots are also a large target, given that many states made it universal during the pandemic, even though the red state of Utah provides for universal mail-in, something Republican Senator Mitt Romney is very proud of, but Republicans don’t bat an eyebrow in that case. The GOP has even aimed its sights at limiting who can drop-off ballots and prohibiting the vanpooling of Native Americans from reservations to polling places.

How the Filibuster Was Established

The filibuster originated via the machinations of John C. Calhoun, who as vice president under President Andrew Jackson (his first term) and president of the Senate, allowed one member after another from the minority to debate a bill that would charter the Bank of the United States, in the hopes that the Great Compromiser, Henry Clay, would miss the summer deadline. Eventually the majority would cough or make noises signaling for the filibustering members to shut up and end debate. However, the scheme had established a tactic not yet named, and “sparked a feeling of camaraderie among the minority of filibustering senators, even though they had no hope of actually defeating the bill.” (p. 51) Then, what’s called the last question rule was established that allowed a simple majority to end this intentional delay, but during the time of Woodrow Wilson in 1917, another change was made, Rule 22, which required that a super majority agree to end debate, at first 2/3rds then later reduced to what a super majority means in the Senate now, 3/5ths or 60 votes.

Though I knew that Republican obstruction in the Senate was a major problem during the Obama Years, I wasn’t aware of the extent until now. Jentleson pointed out that by the time Harry Reid had adopted the nuclear option for the purpose of presidential appointments in 2013, half of all the appointments that had been filibustered in the nation’s history occurred while Obama was president. That’s truly remarkable, and a sure sign that it is indeed the Republican Party that is the problem.

How to Define Corruption

Among the best examples of political history in the book centers around a dispute between Senators John McCain (R-Arizona) and Mitch McConnell (R-Kentucky). At the time, McCain was implicated, among other senators, in a financial and federal oversight scandal that was a clear case of multiple conflicts of interest related to a businessman named Charles Keating. As a result, and likely motivated by a level of political expediency, McCain became one of the few Republicans who believed campaign finance reform was a necessity due to what he viewed as corruption: pork barrel spending and corporate lobbying. He and Democratic Senator Diane Feingold would champion what would be known as the Bipartisan Campaign Reform Act, or McCain-Feingold for short. In 1999, Mitch McConnell called out McCain on the Senate floor, demanding that he name names to explain his general allegations of Senate corruption. (pp. 194-95) The dispute could be narrowed down to two definitions of corruption: the McConnell version, where there’s an explicit understanding that a lobbyist is handing over campaign contributions in exchange for either support or opposition to a piece of legislation, and the McCain version, which according to the author, lines up with the view of the Founders: that excessive amounts of money contributed to campaigns serve as a violation of the public trust in leaders and institutions that should put the interests of the country over their self-interest and preservation. (pp. 196-197) The Supreme Court would later side with McCain in McConnell v. FEC, but only a handful of years later, effectively overturn that decision with the disastrous Citizens United decision (2009) in which the conservative wing of the Supreme Court equated unlimited and corporate contributions to American politics with free speech.

Thoughts This Book Provoked

1. What I’ve realized is we’re a better country than the modern Senate allows.

2. One important takeaway from the book is the fact that American sentiment has often been ahead of the laws its country’s legislators have passed. Anti-lynching legislation and laws to end poll taxes were supported by a majority of Americans in the 1930s/40s, but a majority of U.S. senators were stopped by the minority’s use of the filibuster. In short, the filibuster added decades to the needless suffering of and lack of protection for Black and Brown Americans.

3. How radical it is that in the American system a person can be elected president with less than 50% of the vote, yet a simple majority in the Senate can be blocked from voting on legislation supported by an overwhelming majority of Americans by a super minority of senators, or more specifically, one objection in the form of a phone call or email.

4. You tell me how it makes any sense that the Senate requires 60 votes to end a filibuster, but the Republican Party can go nuclear on Supreme Court nominations, resulting in the confirmation of Justices Neil Gorsuch and Brett Kavanaugh with just a simple majority, 54 and 50 votes, respectively (pp. 230 and 232).

5. I’m reminded of the common refrain that “historians today are revisionist,” which might as well be an insult because it suggests that historians are lying through their coffee stained teeth. A good analogy for why this is wrongheaded begins with the famous painting titled Scene at the Signing of the Constitution of the United States. The Founders are standing in Independence Hall in Philadelphia, Pennsylvania. The signing of perhaps the greatest document, second only to the Declaration of Independence, occurs. And you know what? It never happened that way. It’s a microcosm of the kind of job that historians are tasked with: uncovering the falsehoods, sharing the facts and providing real context. If that’s “revisionism,” well then, so be it.

How “Ha” Sings the Blues

When I was a kid, around 14-15, I was in my parents basement in the summer trying to bench press a measly 50 lbs when a new video came on BET. I never put the weight locks on, so when I heard what I considered trash at the time, one arm gave in, tilting the bar to the right as a 25 lb weight slid off and ran into the wall. My mother screamed down from the kitchen, “Derek, what was that?” I was appalled. It was the official video for what became a breakout hit, “Ha,” by the rapper Juvenile.

I was used to a different kind of MC. I was tuned into the type that was influenced by the likes of Rakim and Kool G Rap. I was used to the powerful delivery of KRS-One, the cadence of O.C., or the smooth and monotone voice of Guru. Juvenile’s sound was foreign to my ears.

A kid who had grown up on the Golden Era of hip hop, creative wordplay and thought provoking lyrics over boom bap beats, I thought Juvenile couldn’t rap. How wrong I was, thinking back now. Here I am in my late 30s and I can the hear the influences of the blues in his music.

Watching The Howlin’ Wolf Story recently, a documentary about the great blues musician, then shortly thereafter hearing “Ha” by Juvenile got me thinking about how connected their music really is.

Howlin’ Wolf was born in Mississippi during the terrifying Nadir Period when thousands of Black Americans were lynched by racist mobs decades before the Civil Rights Era. In adulthood, he moved to Chicago. On the other hand, Juvenile is a Cash Money Millionaires rapper from New Orleans. On the surface, there appears a picture showing two different experiences, but if you look a little closer, you’ll find hues and colors that make those experiences share much in common.

To hear Howlin’ Wolf (aka Chester Burnett) tell it in The Howlin Wolf Story (2003), directed by Don McGlynn,

“…I’m gonna tell you what the blues is: when you aint got no money, you got the blues. When you aint got no money to pay your house rent, you still got the blues. A lot of people’s hollerin’ about “I don’t like no blues cuz when you aint got no money and can’t pay your house rent and cant buy you no food, you damn sure got the blues. If you aint got no money, you got the blues, ‘cause you’re thinking evil.”

On “Ha”, Juvenile’s lyricism meets the Wolf’s definition. He’s “thinking evil” as he raps in second person.

“You full of that diesel, ha,
You duckin’ them people, ha
Your face was on the news last night, ha
You the one that robbed them little dudes out they shoes last night, ha”

But on the hook, he evolves from one of the traditions of blues music, that of expressing one’s grief, howlin’ about having the blues, to not letting the factors that lead to the blues, hold you back:

“You a paper chaser, you got your block on fire
Remaining a G until the moment you expire
You know what it is, you make nothin’ out of somethin’
You handle your biz and don’t be cryin’ and sufferin'”

In much the same way that Howlin’ Wolf explains what it means to have the blues, Juvenile’s “Ha” speaks to the same mood. “When you aint got no money, you got the blues” says Howlin’ Wolf, while Juvenile raps “you gotta go to court, ha”.

On Howlin’ Wolf’s track “Back Door Man,” Howlin’ is talking about sleeping with another man’s woman and sneaking out in the morning.

“When everybody’s tryin’ to sleep
I’m somewhere making my midnight creep
Yeah, in the morning the rooster crow
Something tell me I got to go
I am a back door man”

– “Back Door Man” by Howlin’ Wolf, written by Willie Dixon

The story shares a lot in common with the kind of sleeping around that Juvenile talks about in “Ha”.

“That’s you with that badass Benz, ha
That’s you that can’t keep your old lady ’cause you keep [expletive] her friends, ha” – “Ha” by Juvenile

Juvenile’s personal life reflects the soul of the blues, a musical genre rooted in the hearts, minds and spirits of the descendants of African slaves. He’s had legal troubles, and personal tragedies, including the murder of his 4-year old daughter. Though I’ve never listened to much of his catalog, my research into this connection has piqued my interest.

I can remember in the wake of Hurricane Katrina catching his video for “Get Ya Hustle On” (2006). The video opens with the message: “This is a tribute to those who died in the wrath of Hurricane Katrina. The storm may have passed, but for thousands, the struggle is just beginning.”

It goes on to spotlight a neighborhood where homes were destroyed and cars turned over, where crosses adorned with framed pictures cover makeshift grave sites like the scene of fatal accidents, while face masks of President George W. Bush, Vice President Dick Cheney and the Mayor of New Orleans at the time, Ray Nagin, are worn by young Black kids. As one of the boys turns a mask over to put it on, the words “Help is Coming” are printed on the inside. As history shows, for many, help never came, or at best, came too late. The attitude and point of the song is: no one is going to save you. Your federal government failed you. It always will. Get your hustle on.

“Your mayor ain’t your friend, he’s the enemy
Just to get your vote, a saint is what he pretend to be “

“Everybody need a check from FEMA
So he can go and sco’ him some co-ca-llina
Get money! And I ain’t gotta ball in the Beemer
Man I’m tryin to live, I lost it all in Katrina (damn)”

“[Expletive] Fox News, I don’t listen to y’all ass
Couldn’t get a nigga off the roof with a star pass
Talkin’ y’all comfortable right now to your own land
Till a nigga catch ya down bad, starvin’ and want cash”

The song and video reminds me of the award winning documentary that I only recently watched this past February in honor of Black History Month, Trouble the Water (2008).

The documentary centers around Kimberly Rivers Roberts–and her husband–who filmed herself the day before the storm, as well as the morning that it hits. She’s eventually forced to the attic of her home. She continues to film after the storm and flooding recedes as she looks for her neighbors in the Ninth Ward, all of them vulnerable, including a man, who appears to be an addict, that she spotted asleep on the steps of a porch the day before the storm and had woken up to warn about the hurricane. Though she and her husband survive the storm, their neighborhood was never the same, and they eventually relocate, attempting to get help from FEMA.

Roughly 80% of the city was flooded after the levees broke. At least 1,800 people died. The way the poor, much of them Black Americans, were left without a means of evacuating or immediate help from the government, is reminiscent of the aftermath of the end of the Freedmen’s Bureau near the end of Reconstruction in 1872, a national tragedy regretted by W.E.B. Du Bois in his seminal work, The Souls of Black Folk, for both its obvious neglect and its costly mismanagement, the same type of criticism that FEMA and the George W. Bush Administration rightfully received.

Juvenile’s hip-hop may not be the sample-based, east coast hip-hop that I grew up on, but his poetry and the root of his music is just as relevant and poignant, and its relationship to the soul and simplicity of the blues, as well as the historical experience and present reality of Black Americans cannot be overstated. Now you’re gonna give it a listen, ha.

The Myths Surrounding Rosa Parks and the Montgomery Bus Boycott

Recently during Black History Month in February, C-Span 3’s American History TV aired a history lecture from Wellesley College Professor Brenna Greer. Professor Greer, an African American woman, aimed to deconstruct the myths surrounding Rosa Parks as just a Black woman who had had enough when she refused to give up her seat on a bus in Montgomery, Alabama on December 1,1955, and that the Montgomery Bus Boycott was short and successfully ended segregated busing.

There are a few major points in her argument regarding Rosa Parks. One, that Rosa’s actions were not done on a whim; that they were deliberate, planned and coordinated. This was also the case of Homer Plessy on a train car in Louisiana in 1892.

Two, that Rosa was not “the first” Black woman to take such an action. In fact, Ida B. Wells, a Black female journalist who publicized lynchings of Black Americans in the late 19th century, had also challenged racial segregation in the 1880s when she refused to move from her seat on a train on May 4, 1884.

Flowing along the myths is the question of why. Why was it necessary to create such myths about a woman and an action of civil disobedience that led to a historic transformation in America’s story?

At one point, Professor Greer asks students to raise their hands if they first learned about Rosa Parks when in elementary school. Most hands went up. But when asked if they learned anything about her in high school, it was a very different story as just two or three hands were shown. Greer attributes much of this to the false notion that children need very simple characters, when in reality, in Greer’s view, children, whose minds are “very flexible,” could certainly understand a more complex character, like the real Rosa Parks.

As for adults in the 1950s, if one pictures Rosa like the sweet, “middle class” and light-skinned Black woman as she can be perceived by the picture below, she is easier for the public to swallow.

File:Rosaparks 4-5 (cropped).jpg
Rosa Parks, 1955

According to Greer, she was typically described as an “elderly seamstress with tired feet” and “many news accounts didn’t even give her name.” Rosa was 42 when she made history. Contrast that with Ida B. Wells, who appears strong and hardened by her experiences in the Jim Crow South. Wells’ own printing outfit was burned down by a white mob.

File:Face detail, from- Ida B. Wells circa 1895 by Cihak and Zima (cropped).jpg
Ida B. Wells, 1895

Additional challenges to segregated transportation from Black Americans in the same year that Rosa made history are also highlighted, including those of Claudette Colvin, Aurelia Browder and Mary Louise Smith. As Professor Greer put it, “We need to scratch off that Rosa Parks was ‘the first.'”

Professor Greer seems to argue that the leaders of the Civil Rights Movement in the 1950s had smartened up to the fact that the press would not show as much attention, and the public would not show as much sympathy, to a Black woman who looked like Claudette Colvin or the other women, who the public would perceive, through media accounts, as “too dark” and “too poor.”

To clear up the myth from the “fairy tale” that the Montgomery Bus Boycott was short, Ms. Greer points out that the it lasted 381 days. She poses the question “How long do you think most people, if not yourself, thought the boycott was?” Answers appeared to range from a few weeks to a couple months. The extensive length of time, over a year, is evidence of just how ingrained segregation was in the South. It took Browder v. Gayle (yes, that’s Aurelia Browder), a lower court case that challenged Montgomery’s racial segregation on public buses, which eventually reached the Supreme Court, to finally see an order for integrated buses in Montgomery. A few days later, on December 21st, the leaders of the movement decided to set foot on Montgomery buses once more.

Watch the lecture here.

This article originally appeared on the blog Right Guy, Wrong Town.